This Too…

Outside the window of my writing desk, across the field in the distance, sits a standing grove of trees. Not long ago it was beautifully surrounded by a sloping grassy hill rolling down into a field that stretched out bearing alternate crops of corn and soybeans. Now the grove sits alone, the field practically leveled. Exposed compacted red clay lays ready for more concrete and asphalt of the impending neighborhood being constructed. For years I’ve enjoyed looking out across that field. Even hiking up to the sacred feeling space sometimes. Sometimes the dog was with me. Sometimes it was just me. But curiously, it never felt like just me.

Once everything was cleared, the grove of trees was left standing. I wondered why. Uncle Joe, the family’s approaching centenarian and patriarch of this land said there was a graveyard up there. At least it was when he was a boy. I found it interesting because as many times as I’d been up on that hill, I never saw a graveyard. He said it was there but had never seen any burials there in his life time. We are talking about nearly an entire century here. Spurred on by my curiosity, I set out to explore the grove again minus the beautiful rising slope of thick grass on which we had fantasized of building our house. The area was cordoned off with an orange netted fence that both the dog and I easily hopped over. Finally on the northwest side, in the thick of the grove, I saw the first tombstone. It stretched out prone among the trees, lying there like a sleeping behemoth. There there were others. Some in pristine condition, others cracked and being swallowed up by earth but present as a reminder of lives once lived.

I could make out a name or two. Wondered who they were. Where had they lived? What did they do? Had they left some mark that impacted the now? Who were their descendants? All I could physically see were stones. The cold hard monuments stood in contrast to the warmth of lives once lived. What had been their concerns, their worries, their fears, or challenges. None of that mattered to them now. As I stood there, mortality tapped upon my intellect and took me forward a hundred years or so and there it was; someone looking upon the markers of those of us present now and asking some of those same questions.

Suddenly I had a shift in perspective. This too shall pass has become a common bumper sticker proverb. However, its profundity is no less relevant. What are we doing with the time we’ve been granted her on this plain? Are we using precious energy and limited time on things that won’t matter in the long run..or short? How much time do we waste on worry and fretting; time that could be invested in living while we yet live? All of those material things that we slave for and give life to will belong to someone else in a hundred years or so. We will be just a memory. Where are you planting those seeds that will continue to birth the power of your living beyond your lifetime? What legacy are you building by living in all the corners of this thing call life?

One day soon. That grove of trees will be surrounded by the voices of children playing, crying laughing, heading to and from school. It will be surrounded by people making love, more children, marrying, divorcing, working, and buying. Some could even call it living the American dream and then… that too shall pass. All we have is the now. It belongs to us in the present. Let us go all out and do what we can and will with want we have with the most precious gift of all because one day, we’ll have to give it all back.

We Are The Monuments…

We’ve all, at some point, walked past monuments built by others, honoring others. Why do we wait for someone else to honor our stories? What happens when we realize we are the monuments, the living, breathing proof of endurance, imagination, and grace? Our buildings aren’t just brick mortar, and glass. Our art is never just paint on a surface. They are evidence of belief and resolve that refused to fade. It’s the kind of creation that reminds us our presence is the monument, our work the foundation, and our progress the pedestal upon which our future stands.

Some Wise Dude

                                                                                             

About a year or ago I got a call from a fella, telling me he needed a mural done on the FX Market on Pulaski Pike. Now, mind you, I used to get a lot of spam calls like that. So much so that I was advised to remove my phone number from my contact information. The gentleman on the other end was Vincent E Ford, serial entrepreneur working on a plethora of projects. He said he’d tried to reach me two years prior. We set a meeting and went from there. At our first meeting, I felt I knew him from somewhere. He tuned in to the familiarity, so we started climbing the family tree.  We did have some people in common but only by marriage. I came to know that he had a construction company, a flagging company, some housing developments, an event center in the works, and one other FX Market gas station before the one upon which he wanted the mural painted. For some reason, it didn’t take long for us to begin bantering like we were old friends. 

When he came through on the mural and shared his why, I felt better about the project. The subject matter was The Buffalo Soldiers, the U S 10th Cavalry Regiment that had camped on a hill near the FX Market site in the late 1800s because they were not allowed to stay with the white soldiers.  At first the idea of painting this on a gas station didn’t thrill me. After some consideration. I came to realize it was the best place. Besides, I’d already activated the land long before I knew who was doing something with it when I had exhumed red clay from the site.  This was people’s art and all types of people patronize gas stations. It wasn’t just about painting on a gas station, it’s creating legacy in so many ways. And this isn’t just a gas station; it’s a monument honoring monuments.

In the 1960s, according to local historians, there were at least four Black owned gas stations in the Huntsville/Madison County area. Currently, according to one study there are only four in the entire state of Alabama. Two are here in Huntsville/Madison County and Vincent Ford is the proprietor of them both. He had an idea, dreamed it up, and brought it to pass. At the end of the day, we all need gasoline, right. The first one he built is on family land in Harvest.  The other one (with the Buffalo Soldier mural) sits on Pulaski Pike across the street from Northwoods Public Housing Community where he grew up, and the namesake Historic Space after the Buffalo Soldiers, Cavalry Hill. It stands as a testament to belief beyond borders, and attitude determining altitude. What started as a request for paint on a wall between us became something bigger, a mirror held up to what’s possible when vision meets purpose. His gas stations aren’t just a business; they are a declaration that our stories belong in full color, on our own walls, in our own neighborhoods. A gentleman stopped and inquired about the FX Market gas station one day. He had heard it was Black owned. I affirmed. He smiled as he pulled off and said on repeat, “We comin’ up.” I felt his sense of pride and resolve echoed in the declaration. So if you’re reading this and haven’t gone by. Do so if for no one else but yourself. This is an investment in us. When we see what we can do, it gives us the inspiration to continue to do.

This is what happens when belief outlives circumstance. When we stop aiming for the idea of Black excellence and start setting the reality of a Black standard, where ownership, craftsmanship, and community care are the norm, not the exception. When we build, we build for generations to come. When we create, we create capacity. And when we pour into our own, the return is legacy. That mural isn’t just about art in public space. It’s about arrival. A reminder that we don’t just dream beyond our address, we redefine it.

UNBROKEN PARADOX

I am taking a departure from my normal and sharing a work of visual art. “Unbroken Paradox” honors the extraordinary life of William Hooper Councill, a former enslaved man among men who rose from the red dust of Alabama to become the founder and first president of what is now Alabama A&M University. This work, created with red clay taken from the grounds of his enslavement and the university he built, embodies the profound duality of his journey—pain and triumph, oppression and liberation, roots and ascension.

I was told by a professor while an undergrad at Alabama A&M University that “Your success is inevitable because this Alabama Red Clay is rich with the blood of your ancestors.” Those words transformed me from a witness to a man on and in purpose.  The red clay is more than a medium; it is history itself, rich with the essence of the land that bore witness to Councill’s transformation. From the soil of hardship grew a legacy of excellence, a paradox of unbroken spirit in the face of unimaginable adversity. This work connects past struggles to present victories, serving as a timeless reminder that greatness can emerge from even the harshest conditions.

“Unbroken Paradox” is a piece of history that celebrates the resilience, vision, and courage of one of Alabama’s greatest pioneers. It’s a testament to the power of education to uplift and transform lives, just as Councill did for countless others. This work is charged with the “blood” of our ancestors. “Unbroken Paradox” is not merely a painting; it is a legacy, a story of perseverance, and a beacon of inspiration for generations to come.